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Bohdan Pylypushko

ABOUT


Ukraine/Poland. 1990. Visual artist in the field of contemporary graphics. Skilled in traditional and experimental printmaking, practically curious about the eclectic perspectives of photography. In artistic and scientific practices explore the subjects of memory, control and psychology of visual perception.
Education: 2013, MA (Fine Arts); 2018, PhD (Art History).

STATEMENT


About the project Texture Gaps: Maybe, it’s natural that the first instinct reaction on new tactile taboos was fantasizing about Foucault in a leather jacket. When the pandemic began, the first steps of the authorities were to put on special tapes that restricted the use of entertainment venues. Across Warsaw hundreds of swings and carousels have become holes in the texture of reality. Black silhouettes, like an aliens, formed magnetic gaps in the everyday view. Those mysterious shapes reminded the idea of enlightenment in the texture of existence. Covered by fingerprints, they became a pure manifestation of the world-­‐on-­‐pause, and shaped a metaphor of a gap where some forgotten knowledge became visible. Regardless of the reason for the creation of those unusual architectural forms, they definitely brought methodological perspectives. Because when it goes about the Architecture, the most important is not a building itself, but the enter to the void, from which a view on the surrounding world opens.

Portrait 1_Bohdan Pylypushko.jpg
Portrait 2_Bohdan Pylypushko.jpg

We asked ...


          How has the situation of the last months changed your artistic work?
The number of subject to reflect on grew up, and the contextual field became more solid.



          How does an idea become art?
Becoming art for idea means to receive a shape that can help others to experience it.

Unless otherwise indicated, all rights for all texts and photos are reserved by the artist/author/photographer.

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